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阿瑞安的生日到了，可是她却比以往更孤独。生日蜡烛都点好了，但朋友们都找借口不来。于是她决定坐上自己漂亮的座驾，离开乡野，去大城市闯一番……
科菲和未婚妻爱丽丝正在准备迎接他们的宝宝。在孩子出生之前，他们要一起返回科菲在非洲的故乡，去获得科菲父母的祝福。但这趟旅程对于科菲来说并不轻松一一大部分时间都远离家人生活的他，被视为是会带来厄运和耻辱的社会异端。科菲并不是个例，跟他一样被贴上“巫师”或“女巫”标签的，还有必须为自己的自主权而战的叛逆的帕科、科菲的妹妹塔拉、甚至他的妈妈穆吉拉——她年轻时曾被此折磨到精神崩溃，现在却同样将其加诸之于自己儿子的身上。
地狱的看门犬刻耳柏洛斯仍然戴着口套，但现在他被称为雷纳，拥有女人的乳房和声线，黑皮夹克上镶满铆钉，拿着狗仔相机。他在彼岸世界与我们交谈，详细介绍了野蛮人科南的历次转世，那是一位来自古代的嗜血亚马逊女战士。
After embarking as a passenger onboard a cargo ship returning to Europe he begins to question his sanity and the very understanding of his perception of time in this romantic psychological thriller at sea. After a brief encounter with one of the shipmates, James, Christopher settles into life on board the ship. His life quickly falls into a routine that shapes his day-to-day existence, mirroring the monotony of the ship’s passage through open waters.
莉迪亚（Lydia），一个对工作非常投入的助产士，正处于失恋的状态。与此同时，她最好的朋友萨洛梅（Salomé）告诉她自己怀孕了，并要求她来接手自己的怀孕生产。一天，莉迪亚抱着朋友的婴儿时碰到了一夜情对象米洛斯（Milos），她冒着失去一切的风险开始了谎言......
Since 2014, in France, Restorative Justice has offered victims and perpetrators of offences the opportunity to dialogue through secure systems, supervised by professionals and volunteers such as Judith, Fanny or Michel. Nassim, Issa, and Thomas, sentenced for theft with violence, Gregoire, Nawelle and Sabine, victims of home jacking, robbery and purse snatching. Also Chloe, victim of incestuous rape, all engage in measures of Restorative Justice. On their journey, there is anger and hope, silence and words, alliances and heartbreaks, awareness and regained confidence. And at the end of the road, sometimes, reparation.
The story revolves around Estelle, an incomparably professional long-haul pilot/captain who leads a perfectly structured life alongside her loving and protective husband Guillaume. Everything seems to be going well, although the endless flights and bouts of "jet lag" are beginning to upset the young woman’s biorhythms, especially her sleep. One day, in a corridor in Nice airport, she randomly crosses paths with Ana, a photographer she’d had a passionate affair with twenty years earlier. Estelle has no way of knowing that this reunion will suck her into a nightmaresque spiral and lure her life into irrationality...
During the cold and rainy off-season a man arrives in a seaside town and, giving his name only as Pierre, checks into the only hotel which remains open. His arrival arouses curiosity and a degree of suspicion, as people note that he appears to know the area, yet gives no explanation for his presence at that bleak time of year in the dead-end town.
Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France.
The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.
维克多（Paul Blain 饰）和妻子安妮特（Marie-Christine Friedrich 饰）结婚多年，两人共同养育着女儿帕梅拉（Victoire Rousseau 饰），一家人住在风景如诗如画的维也纳，日子平静之中充满了幸福。然而，让安妮特没有想到的是，维克多竟然沾染上了毒品，整日和毒贩们厮混在一起。
回到巴黎后，维克多不仅没有改邪归正，反而变本加厉，一个幸福美满的家庭眼看着就要毁于一旦。在发现维克多不可能改变后，安妮特果断的带着帕梅拉离开了家，两人相依为命，隐姓埋名的生活着，一晃眼就是十一年过去。彼时的帕梅拉已经成长为了亭亭玉立的大女孩，童年时代不幸的经历让她对父亲充满了愤怒和怨怼。当帕梅拉得知自己的父亲依然活着，并且就和自己生活在同一个城市后，她决定去见一见他。
Pierre is a famous writer and explorer. But one drunken night, a terrible fall leaves him in a coma. When he wakes up, barely standing up and against everyone's advice, he decides to explore France on foot, along the smallest paths.
After a dangerous sea crossing and a stay in a camp in Malaysia, the young Vietnamese Tinh and her family are accepted as refugees in Canada and arrive in Montreal where they begin their new life. But for Tinh, adapting has its share of difficulties. Already shy and reserved by nature, she must learn a new language and integrate into her new environment. Haunted by the hardships of the journey, Tinh will have to draw deep within herself the resilience necessary for her survival and her happiness.
