本片是德国名演员爱尔简宁斯步入影坛后主演的第一部名作,也是德国最早期影评人出身的导演埃瓦邦编导的第二部作品。当年的德国电影大多受民族情绪影响,不断在电影形式和心理分析的问题上打转,以至影片的风格呈现出沉重的压力。埃瓦尔杜邦在本片却重新回到戏剧性的高潮和活泼流畅的摄影机运动上做文章,使整部影片充沛地发挥出正剧应有的角色生命力和感动观众的人情味。当然,菲利克斯霍廉代尔的原着小说故事感人也功不可没。[展开全部]
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13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.
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更多 13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.