在这部最具对话性和个人色彩的电影中,导演玛格丽特·杜拉斯和演员杰拉尔·德帕迪约在镜头前通读电影剧本。有时,导演会评论角色或他们的动机,有时演员也会评论。仅此而已——没有动作,没有外景镜头,没有人假装成其他任何人。剧本本身讲述了一位空白的女搭便车者和一位共产主义卡车司机之间的遭遇。随着阅读的进行,杜拉斯对共产主义理想的失败和可能永远不会发生的光荣革命进行了痛苦的评论。[展开全部]
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13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.
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更多 13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.