不列颠向全世界扩张,他们在带回可观财富的同时,也带回了可怕的瘟疫。僵尸病毒旋即在英国肆虐,为了生存上流社会的贵族小姐们也不得不学习日本或中国武功保护自己。[展开全部]
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Five girls, five best friends, all haunted by their past mistakes of an April Fools prank gone fatally wrong, meet again after two years for a summer week long getaway in the woods to reconnect and reconcile.
Renate Reinsve and Anders Danielsen Lie see the dead come to life in a confidently executed zombie drama based on John Ajvide Lindqvist's acclaimed horror novel.
Fifteen years after Let the Right One In John Ajvide Lindqvist is back with an existentially high-octane horror film that leaves no one untouched. With emotional depth, visual power, and a perfect tone, director Thea Hvistendahl tells the story of three families recently left in grief after the passing of their loved ones. But suddenly, the power grid goes out, and the deceased start to move. Norwegian stars Renate Reinsve and Anders Danielsen Lie (both acclaimed for The Worst Person in the World) portray complex reunions and interrupted mourning processes, alongside Bahar Pars and Bjørn Sundquist, in a chillingly thought-provoking and truly remarkable horror drama.
源自:https://program.goteborgfilmfestival.se/en/program/handling-the-undead
As the staff of Good Friends Church Camp prepares for a spring break filled with "Fun Under the Son", a demon logger rises from his sap boiler to wreak his vengeance and feast on flapjacks soaked in the blood of his victims.@www.molikan.com
When Edward’s search for his birth family takes him and his girlfriend Ryley to a magnificent villa high in the mountains of northern Portugal, he is excited to meet his long-lost mum and twin brother. Finally, he’ll be able to find out who he is and where he comes from. But nothing is as it seems, and Edward soon discovers that he is bound to them by a monstrous secret. First foray into horror by one of the surest assets of Portuguese cinema.
After the visual delirium of “Diamantino” that won him the Critics’ Week prize at Cannes, Gabriel Abrantes surprises with a more classic horror film around the mystery of family origins, but also following the Portuguese canon of country vs. city. Carloto Cotta in a double performance, Alba Baptista and Anabela Moreira in very challenging roles.
源自:https://poff.ee/en/film/amelias-children/
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更多Five girls, five best friends, all haunted by their past mistakes of an April Fools prank gone fatally wrong, meet again after two years for a summer week long getaway in the woods to reconnect and reconcile.
Renate Reinsve and Anders Danielsen Lie see the dead come to life in a confidently executed zombie drama based on John Ajvide Lindqvist's acclaimed horror novel.
Fifteen years after Let the Right One In John Ajvide Lindqvist is back with an existentially high-octane horror film that leaves no one untouched. With emotional depth, visual power, and a perfect tone, director Thea Hvistendahl tells the story of three families recently left in grief after the passing of their loved ones. But suddenly, the power grid goes out, and the deceased start to move. Norwegian stars Renate Reinsve and Anders Danielsen Lie (both acclaimed for The Worst Person in the World) portray complex reunions and interrupted mourning processes, alongside Bahar Pars and Bjørn Sundquist, in a chillingly thought-provoking and truly remarkable horror drama.
源自:https://program.goteborgfilmfestival.se/en/program/handling-the-undead
As the staff of Good Friends Church Camp prepares for a spring break filled with "Fun Under the Son", a demon logger rises from his sap boiler to wreak his vengeance and feast on flapjacks soaked in the blood of his victims.@www.molikan.com
When Edward’s search for his birth family takes him and his girlfriend Ryley to a magnificent villa high in the mountains of northern Portugal, he is excited to meet his long-lost mum and twin brother. Finally, he’ll be able to find out who he is and where he comes from. But nothing is as it seems, and Edward soon discovers that he is bound to them by a monstrous secret. First foray into horror by one of the surest assets of Portuguese cinema.
After the visual delirium of “Diamantino” that won him the Critics’ Week prize at Cannes, Gabriel Abrantes surprises with a more classic horror film around the mystery of family origins, but also following the Portuguese canon of country vs. city. Carloto Cotta in a double performance, Alba Baptista and Anabela Moreira in very challenging roles.
源自:https://poff.ee/en/film/amelias-children/