扬·阿尔蒂斯-贝特朗在拍摄《家园》的十年后,携新作《遗产》回归。这是一次导演发自内心的呼喊,他以细致而激进的视角观察地球近二十多年间的巨大损耗。我们的星球已经满目疮痍,而混乱的人类却无法严肃对待其自身及所有生命体所遭受的威胁。导演提醒我们事不宜迟,每个人都应竭尽全力保护地球,也是保护我们子孙的未来。[展开全部]
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13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.
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更多 13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.