理查德·萨拉芬绝对是一位被低估的导演。终于看到这一点后,令人满意的是,他的消失点并不是昙花一现。碎片不会以同样的速度移动,也不会让观众以同样的速度参与进来,但一旦你进入大约20分钟,你就会被吸引到最后,因为萨拉芬和编剧德恩不断操纵现实和我们对现实的看法,以及主角大卫·海明斯对现实的看法。这部电影描绘了一个事实,展现了一个看似传统但仍然阴险的勒索谋杀阴谋。但是其他角色的对话和行动不断向我们展示,我们[展开全部]
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13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.
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更多 13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.