在公开透明的黯淡电影场景中,The Needle 作为电影中的害群之马脱颖而出。作为这一时期苏联电影中最有趣和另类的电影,它与主流形成鲜明对比,主流是对斯大林主义过去的修正主义和虚无主义的社会批评。1988 年,年轻的哈萨克导演拉希德·努格马诺夫 (Rashid Nugmanov) 刚从 VGIK(国家电影学院)毕业,《The Needle》在多个方面都是开创性的作品。这张照片来自一个偏远、停滞[展开全部]
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13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.
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更多 13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.