工場に勤める寡黙な渉(坂東龍汰)、 飲食店員の血の気の多い英治(髙橋里恩)、 介護士の一見温厚そうに見える光則(清水尚弥)は、 互いに幼馴染の若者である。 「不幸はドラマになるからよ」 ある晩秋の昼下がり、 3人は首切り地蔵が見下ろす墓地を目指して歩いていく。 そこには数年前に事故で亡くなった 4人目の幼馴染が眠っていた。 「嫌気、恐れ、怒り、悲しみ。 その全てのドラマ[展开全部]
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13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.
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更多 13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.