最近,在萨特的遗稿中发现了一部电影剧本手稿,这便是一九五八年由好莱坞的约翰·哈斯顿导演,蒙哥马利·克利夫特领衔主演,萨特编剧的二流电影《弗洛伊德》。值得庆幸的是,这部手稿没有因为电影的不成功而被萨特毁掉。现在人们可以通过这部电影剧本进一步了解萨特对弗洛伊德的具体看法如何,特别是因为这部电影在上映时应萨特的要求没有打出他的编剧的名字,很多人还不知道是出自他老先生的手笔。 萨特为什么不想让人知道[展开全部]
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13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.
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更多 13-year-old Marek shoots videos with social themes, making him an outsider among his classmates. At home, his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, he meets Tereza. Despite their social differences, they develop a liking for each other. Soon teenage games spiral out of control with a simulated kidnapping, culminating in running away from home. They board a train and a series of spontaneous adventures ensue until they get lost in a labyrinth of endless freedom.